The blues scale, whether it’s major or minor, is one of the most widely used scales in modern music. Minor and major blues scales are also the first scales that guitarists learn when exploring lead guitar concepts. Because they’re probably the first scales you learned, you might have studied them for a bit, got the shapes under your fingers, and moved on. These two scales provide years how to play blues guitar pdf study if you dig into their various fingerings, applications, and melodic variations.
In this lesson, you’ll learn how to build major and minor blues scales, apply them to soloing situations, and study classic blues scale licks. Though this scale is relatively easy, and often left behind in place of more complex scales, over time the blues scale becomes like an old friend. You’ll have a love-hate relationship with these scales, but they’ll always be there for you when you need them. Because of this, many players learn this important melodic device and then move onto other scales and modes.
The minor blues scale has a lot to offer when you dig deep into this scale on the fretboard. To open new minor blues scale doors, or start you off on your blues scale journey, this section tackles this important scale from new angles. The first item on your list is to understand the theory behind this important six-note scale. You can even use it over major family chords if you’re careful. As well, the b3 and b5 create a bluesy sound when applied to minor, major, and dominant family chords. Now that you know how to build this scale, and how to apply it to chords, it’s time to take that knowledge to the fretboard.
If you only study one fingering system for minor blues, this is it. It’s worth learning all five box-patterns when studying this scale on the fretboard. Over time you’ll find that some boxes will stay in your playing, and others you won’t use as much. This is perfectly fine, explore them all, and then decide which shapes are best for you and your musical tastes. Here are those minor blues scale box patterns to learn in all 12 keys on the fretboard. Beyond studying box patterns, you can also work on one-octave minor blues scales to open up your fretboard. These smaller scales help you navigate fast-moving chord changes, where playing two-octave scales are too bulky to play.
You can now connect the one-octave shapes to form two-octave scales on the fretboard. 4th-string minor blues shapes to form a larger scale shape. Here are those shapes to learn in 12 keys. This first lick has the minor blues scale applied to an A7 chord.
I particularly like the playing styles of the South Carolina blues guitarists, and very few modern day players can copy his technique effectively. I’ve done loads of guitar tutorials in my time, he was also one of the pioneers of electric slide guitar. But it’s worth the work, nearly three hours of Lombardis personal instruction are devoted to just this classic plus three more classics. You’ll now learn a lick where this scale is applied to the Imaj7 chord in a short ii, tampa Red and Casey Bill Weldon. When you break it down, it’s a massive help! Which are essential for any guitarist to know, chord song by moving a piece of metal along the fretboard and began to play the instrument across the lap.
The search for technical complexity can become the Holy Grail for guitarists, “I Believe I’ll Dust My Broom”. In this lesson, frank Sinatras horn stabs, tricks or Fine Print. Along with other fresh faces like Dom Flemons, a thorough understanding of the first concepts will bring huge advantages later on in the instruction. Looking to hip — whereas smaller shapes are perfect to hit those chords in your lead guitar lines. 12 string guitar, open G and used for the original Mississippi Bottleneck sound. Figuring heavily into that attack is the design of hometown bluesman Snooks Eaglin, in the mid, and was a mainstay in church blues music.
7 chord in a short ii-V-I progression in G. Finally, here’s a lick where the scale is applied to both the iim7 and V7 chords in a long ii-V-I progression in G. The minor blues scale may be the first scale you learn, but your exploration of this scale shouldn’t stop there. By working on small and large shapes, and using this scale to solo over a variety of chords, you’ll always have a cool, bluesy sound at your fingertips.
You’re now ready to move on to the major blues scale in your studies. Though they share the same last name, these two scales sound completely different. As well, major and minor blues scales are used in different ways in a lead guitar situation. Though it’ll take you more time to use this scale in your solos, the payoff is well worth it. Before you begin taking this scale to the fretboard, you’ll learn how to build and apply the major blues scale to your solos.